Billy Dosanjh is a critically acclaimed multidisciplinary artist whose evocative practice explores the profound human experiences of migration and displacement within the de-industrialised landscapes of the British Midlands. His work, described by curator Melanie Kidd as "revealing a new language and perspective," employs diverse media—including film, photography, sculpture, printmaking, and painting—to unearth overlooked histories and humanise marginalised narratives.
His practice poetically humanises the experiences of displaced people and the impacts that ripple through generations. His first major work, Beauty Queens (2005), led to an MA at the National Film and TV School on a full scholarship, deepening his visual art appreciation. As Hammad Nassar notes, Dosanjh is creating a new form of "settler art," an urgent cultural conversation in post-Brexit times.
He is the recipient of the prestigious Satyajit Ray Film Award (2011) and the RBSA Photography Award (2023) for his series Exiles, with multiple nominations for the Film London Jarman Award (2016, 2023). His work is acquired by 22 national collections, including New Art Gallery, Walsall, Kettle's Yard and The Hepworth, and exhibited/screened internationally at venues like Somerset House, the British Film Institute, and on C4 and BBC Four. A full voting member of BAFTA, he recently completed an 18-month residency at UAL’s 20/20 Decolonising the Arts.
“Dosanjh’s work occupies a fascinating territory that is informed by Euro-American art theory, but resolutely remains ‘from the culture [of the region]’, revealing a new language and perspective. Dosanjh’s practice also contributes to and contemporises the little explored and emerging areas of ‘newfoundland’ and ‘settler art’ … by fundamentally speaking to the universal migratory experience.”
- Melanie Kidd (Curator and Head of Programmes, New Art Exchange) 2022
“In postwar Britain, we have yet to develop a set of cohesive stories around the South Asian immigrant experience … By firmly planting his artistic project in the working class, post-industrial, communities of South Asian heritage in the Black Country, Dosanjh has taken on the task of creating a new form of ‘settler art’. In our post-Brexit times of divisive anti-immigrant rhetoric, echoing Enoch Powell, and often most stridently voiced by UK-born politicians from South Asian heritage immigrant families, Dosanjh’s artistic project seems not just timely, but an urgent cultural conversation. Without settling the past, there is no clear way forward.”
Hammad Nassar, (co-curator, with Irene Aristizábal, of British Art Show 9 2021–2022 and Principal Research Fellow at the Decolonising Arts Institute, UAL), in ‘Billy Dosanjh and the Quest to Settle’, 2023
Read the essay by Hammad Nasar: Billy Dosanjh and the Quest to Settle
Hammad Nasar, wrote the essay on Billy’s recent exhibition, [TRAVELLER, YOUR FOOTPRINTS], held at the New Art Exchange in Nottingham. You can read it here with relevant images and trailers.
Awards / Noms
Winner of the The RBSA Photography Exhibition 2023 for Dayshift & Seamstress, Derek Jarman Artist Film, Satyajit Ray Award, Griersons, Royal Television Society, Film London Lodestar.
Interviews & Talks
New Art Exchange, Nottingham - In Conversation event held on the 3rd of November 2022 with curator, Melanie Kidd. They explored and discussed his exhibition, [Traveller, Your Footprints]. This event was in person and streamed live. You can watch a recording of the live stream here:
Walsall Art Gallery: The Exiles
Film London Masterclass: An Introduction to Artists working with Film
Mind the Gaps - Flatpack Film Festival Talk
I make art that revels in diaspora worlds. It comes from a place of connection with the stories and storytellers of cultures from elsewhere. I’m inspired by Smethwick, my hometown, and it’s surrounding Black Country areas. To this day my practice stays rooted in what many locals argue is the centre of the modern world. I tap into lived experiences, moments out of ordinary consciousness, to open doorways into liminal spaces at the edges of culture and society. The talks above, particularly at New Art Exchange, offer a deep reflection on my practice.
Selected Press
Lumbu was shown at the London Indian Film Festival - 26th June - 3rd July 2024 locations include: Institute of Contemporary Arts, London, Midlands Art Centre, Birmingham and Carlton Club, Manchester. Click here for more information.
Dayshift features in Take on Art, India’s foremost Arts magazine. Click here to read the article written by Hammad Nasar - March 2024
Green Lion's featured in Athletic's film festival. Click here to read the ESPN article
Featured in The Guardian’s “Mordor, he wrote: how the Black Country inspired Tolkien's badlands”
Notts TV interview about [TRAVELLER, YOUR FOOTPRINTS] exhibition.
Kaleidoscope: Q&A with Filmmaker Billy Dosanjh. Click here to watch an introductory film about the exhibition
The Guardian Sikhs of Smethwick review
Featured in The Guardian’s “Britain’s most racist election: the story of Smethwick, 50 years on
Black Country Echoes: A souvenir of the Black Country Echoes Festival 2014
Birmingham Live article - “Calls for probe as riots film launched”
Claudia Lawrence documentary interview - Gazette & Herald
The ‘Reel’ Lozells Riot - Interview - The Asian Today Online
Sikh Channel, Youtube, Special Interview
Education / Courses
Stalking The Rebel Soul - School of Myth
London Creative Network, artist dev SPACE
Forking Paths, Mirrored Chambers
MA Documentary Directing, National Film and Television School
Associate Lecturer in Screen Doc at Goldsmiths
Grants & Courses
Arts Council England awards (4 direct awards), Sandwell Council, Creative Black Country, Birmingham Rep Theatre, New Art Exchange, Unltd
Stalking The Rebel Soul - School of Myth, SPACE London Creative Network, Steamhouse (Fierce Festival) (Brumtown), Experimentor Artist Development Program Artist Moving Image, LUX, Playwright Traineeship